All the oil paintings of unknow artist
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ID Image Painting(From A to Z)    Details 
27397  
unknow artist, The agony in the garden
  		 The agony in the garden   mk56 oil on silvered copper Francesco Trevisani
40147  
unknow artist, The Agony in the Garden
  		 The Agony in the Garden   mk156 c.1350 Tempera on panel 100x92cm
56920  
unknow artist, the agriculture god swallows his child
  		 the agriculture god swallows his child   mk250 A.D. 1819-1823 years. On after mural canvas's part, entire picture 144.8 x 81.3 centimeters. Madrid pula art museum.
39432  
unknow artist, The Anastasis (resurrection)
  		 The Anastasis (resurrection)   mk148 Adam takes icon out of the Novgorod-school, Russia, late 14.Jh.Christus at hand and leads it and the further deceased biblical persons out of the hell
42587  
unknow artist, The angels Gods Defeat the Enemies of the Israelieten illuminatie
  		 The angels Gods Defeat the Enemies of the Israelieten illuminatie   MK169 width 12 cm from Reims ca.820-32 n. Chr. universities library Utrecht
41773  
unknow artist, THe Annuciation
  		 THe Annuciation   mk165 Saint Catherine Monastery Mount Sinai Egypt
41879  
unknow artist, The Annuciation
  		 The Annuciation   mk165 Novgorod 41x33cm
41782  
unknow artist, The Annuciation,The Archangel Gabriel
  		 The Annuciation,The Archangel Gabriel   mk165 Church of the virgin peribleptos of Ohrid
41783  
unknow artist, The Annunciation
  		 The Annunciation   mk165 Church of the Peribleptos of Ohrid
41810  
unknow artist, The Annunciation
  		 The Annunciation   mk165 Egg tempera on plaster on wood 55x43cm
41828  
unknow artist, The Annunciation
  		 The Annunciation   mk165 43x34cm
64183  
unknow artist, The Annunciation
  		 The Annunciation   1410s Woollen tapestry, 345 X 290 cm The Cloisters Collection, Metropolitan Museum of Art, New York Tapestries provided a very suitable medium for the stylistic expression of the International Gothic art. While, in general, tapestry weaving attempted to solve the same problems as those raised by painting, the opposite can be observed in the period about 1400: it was then in fact painters who endeavoured to achieve effects like tapestry by the homogeneous texture of their pictures, which were made up from tiny, dense and decoratively stylized repeated elements. It is a characteristic feature of the International Gothic style to endeavour to make the various motifs appear to be of the same quality, and to give them the fluid lines of textiles. These endeavours felicitously made use of the possibilities offered by tapestry-weaving. In general terms the composition follows that of Broederlam's Annunciation; it is from the open air that the angel approaches the Virgin, who is enthroned in a chapel-like building. The upper outlines of the chapel are set off by the contrast of the brown mountain which looms up behind the building. On the left luxuriant vegetation stretches up towards the sky, where a half length figure of God the Father appears surrounded by a golden mandorla. Narrow bands of white cloud form a rhythmically repeated pattern on the sky around him. The building looks as if it were made of some rigid fabric, for its column is like a thick cluster of cables, decorated with recurrent multicoloured motifs. The bottom edge is a fluctuating line, as if the ground were creeping up the wall. This may be a stylized version of the hillside to be seen beside Broederlam's pavilion. As though to counter-balance the luxuriant vegetation on the left side, the floor of the chapel is covered with a mosaic of amazing variety. There are no duplicates among the geometrical forms, which alternate with stylized foliate motifs. The natural surroundings are also luxuriantly decorative: plants of different kinds will spring from the same stock. However, it is not only with the abundance of forms of trees, leaves and flowers that the forest astonishes us, but with its sense of magic and mystery. The trunks of the trees with their vibrant lines, the flowers, which resemble stars, and the clusters of leaves are illuminated by shimmering lights. The same vegetation that is resplendent in bright colours in front of the building and on the left side of the tapestry, darkens behind the angel on the right creating, as if by magic, a mysterious, nocturnal darkness around the heavenly messenger, a darkness out of which only a few stylized foliate forms shine forth. The rigid stems apparontly have no connection with the petals (for example between the wings and the back of the angel). This vegetation has marked affinities with the foliate forms in the so-called Paris Apocalypse, a work also produced in the Low Countries, where the same motifs again produce a most expressive effect. , Artist: UNKNOWN MASTER, Flemish , The Annunciation , 1401-1450 , Flemish , painting , religious
65001  
unknow artist, The Annunciation
  		 The Annunciation   1430 Wood, 140 x 169 cm Museu Nacional d'Art de Catalunya, Barcelona The anonymous Castilian painter who in the first half of the fifteenth century painted this Annunciation was probably more of a craftsman than an artist. Certainly he had not assimilated the pictorial innovations already evident in Italy and north of the Alps. The work reveals an independence in the treatment which calls to mind the way in which the peasant craftsmen of Eastern Europe freely adapted acknowledged styles to suit local tastes when they decorated some of the churches of the Carpathian Basin. This work owes a great deal to Gothic art, but the Castilian painter has given free rein to his love of ornamentation. The lack of perspective seems unimportant where there is such a decorative use of colour for the garments, and the vase with three lilies distracts us from the clumsy proportions of the figure of Mary. , UNKNOWN MASTER, Spanish , The Annunciation , 1401-1450 , Spanish , painting , religious
79184  
unknow artist, The Annunciation
  		 The Annunciation   "The Annunciation" by Geronimo Lucenti da Correggio Painting, Oil on copperplate, 67x51 cm First quarter of the 17th century cjr
41811  
unknow artist, The Annunciation of Ustyug
  		 The Annunciation of Ustyug   mk165 From the Saint George Monastgery at Novgorod
43483  
unknow artist, The Apocalyptic Texts
  		 The Apocalyptic Texts   mk172 by John of Patmos inspired a series of Images that nourished the Figurative arts throughout Western history
41832  
unknow artist, THe Apostle Peter
  		 THe Apostle Peter   mk165 1387-95 148x98cm
53638  
unknow artist, The apostle Peter, from Oscottpsaltaren
  		 The apostle Peter, from Oscottpsaltaren   mk234 about 1270 3019cm
41791  
unknow artist, The Apostle Phillip and the Saints Theodore and Demetrius
  		 The Apostle Phillip and the Saints Theodore and Demetrius   mk165 Egg Tempera on plaster on wood 41x50cm
71922  
unknow artist, The Appian Way
  		 The Appian Way   ca. 1869(1869) Oil on canvas 9.2 x 98.4 x 206.5 cm (3.62 x 38.74 x 81.3 in)
41802  
unknow artist, The Archangel Gabriel
  		 The Archangel Gabriel   mk165 1387-1395 Egg tempera on plaster on canvas mounted on wood 146x106cm
41803  
unknow artist, The Archangel Gabriel
  		 The Archangel Gabriel   mk165 National Museum Lviv Ukraine
41815  
unknow artist, The Archangel Gabriel
  		 The Archangel Gabriel   mk165 48x239cm The State Russian Museum
41789  
unknow artist, The Archangel Michael
  		 The Archangel Michael   mk165 From the Church of Saints-Cyrius and juliette Lagourka Georgia
41839  
unknow artist, The Archangel Michael
  		 The Archangel Michael   mk165 33x50 From the Church of the Exaltation of the Holy Cross Drogobytch
64921  
unknow artist, The Archangel Michael
  		 The Archangel Michael   127 x 78 cm Museu Nacional d'Art de Catalunya, Barcelona The archangel Michael was, like St. George the dragon-killer, one of the typically warlike saints so greatly approved in the age of chivalry. The Bible tells us that he fought with Satan for the body of Moses and we can read in the Apocalypse how he defeated the dragon with seven heads and ten horns. St. Michael was therefore looked upon as one of the principal patrons of the Church who, having overcome Satan, could protect all innocent souls from the Devil. This painting illustrates the somewhat provincial style of Juan de la Abadia of Huesca. The heritage of the Trecento can be seen in the delicate, girlish countenance of the saint and the brilliant tints of the wings, but blended with it is the elegance associated with the International Gothic style. The figures are wooden and lifeless and the artist's limited knowledge of anatomy may be seen in his representation of the soul; but the carefully arranged pattern of the floor creates the illusion of space, indicating that the artist was aware of the later developments of Gothic art and was to some extent influenced by early Renaissance art. , ABADIA, Juan de la , The Archangel Michael , 1451-1500 , Spanish , painting , religious
41776  
unknow artist, THe Archangel Saint Michael
  		 THe Archangel Saint Michael   mk165 Icon of Gilded silver Enamel and precious stones Saint Marc Basilica-s Treasure Venice
41906  
unknow artist, The Archimandrite Zinon,Saint Sergius of Radonezh
  		 The Archimandrite Zinon,Saint Sergius of Radonezh   mk165 Dormition Monastery Pskov Russia
42684  
unknow artist, The Ardebil-rugs
  		 The Ardebil-rugs   MK169 1540 Pole of full 10.5x5.3m Victoria and Albert Museum Rewarded
49275  
unknow artist, The Army of the Potomac Landing at Fort Monroe
  		 The Army of the Potomac Landing at Fort Monroe   mk195 1862 Watercolor on paper 4x6
49218  
unknow artist, The Army of the Potomac Marching up Pennsylvania Avenue,Washington
  		 The Army of the Potomac Marching up Pennsylvania Avenue,Washington   mk195 1861 Oil on canvas 39x50
44307  
unknow artist, The Arrest of Christ
  		 The Arrest of Christ   1290s Fresco
79125  
unknow artist, The arrest of Christ
  		 The arrest of Christ   ca. 1530-1550 Oil on panel 51.2 x 80.8 cm (20.2 x 31.8 in) cjr
78753  
unknow artist, The Artist with his Daughter Antonia
  		 The Artist with his Daughter Antonia   ca. 1750(1750) Oil on canvas 159 x 118 cm (62.6 x 46.5 in) cjr
79789  
unknow artist, The Artist's Daughters on the Way to School
  		 The Artist's Daughters on the Way to School   Oil on canvas, 134 x 105.5 cm Date 1851(1851) cjr
64338  
unknow artist, the artist's wife and sister
  		 the artist's wife and sister   1088 orleans, museum
56838  
unknow artist, The artist's younger brother and sister portrait
  		 The artist's younger brother and sister portrait   mk250 About 1555. Methuen collection, the United Kingdom Wiltshire Ke Shamu Castle.
52578  
unknow artist, The Artist-s Sisters
  		 The Artist-s Sisters   1843 Oil on canvas, 180 x 135 cm
42727  
unknow artist, The arts ares and her daughter
  		 The arts ares and her daughter   MK169 ca. 1785 Cloth 130x94cm
41911  
unknow artist, The Ascension
  		 The Ascension   mk165 around 1680 Valachia Romania National Art Museum of Romania
27344  
unknow artist, The astrologer copernicus seated at a table strewn with papers,books and a globe,a negro attendant standing beside him
  		 The astrologer copernicus seated at a table strewn with papers,books and a globe,a negro attendant standing beside him   mk56 oil on canvas
67280  
unknow artist, The Astronomer
  		 The Astronomer   Year Unknown Technique Oil on panel Dimensions 7 3/8 ?? 10 inches (19 ?? 25.4 cm)
42008  
unknow artist, The Asuncion of Holy Mari Mary magdalene
  		 The Asuncion of Holy Mari Mary magdalene   mk166 near 1565 Tempera on wood Galeria National of Ireland, Dublin
52582  
unknow artist, The Attack of Zrinyi
  		 The Attack of Zrinyi   1825 Oil on canvas, 455 x 645 cm
68411  
unknow artist, The Bagpiper
  		 The Bagpiper   Oil on panel, 101 cm ?? 83 cm
53627  
unknow artist, The baker and his wife
  		 The baker and his wife   mk234 forsta arhundradet 58x52cm
63829  
unknow artist, The Ball at the Court
  		 The Ball at the Court   1604 Oil on wood, 50 x 66 cm Pushkin Museum, MoscowArtist:PEPIJN, Marten Title: The Ball at the Court Painted in 1601-1650 , Flemish - - painting : genre
60111  
unknow artist, the band of stings and horns at the san beneto teatro
  		 the band of stings and horns at the san beneto teatro   mk270 the band of stings and horns at the san beneto teatro. the musicians are placed in two serried ranks at the side of the hall in venice.
72417  
unknow artist, The Banks of the Loire
  		 The Banks of the Loire   Oil painting reproduction of Ferdinand du Puigaudeau.
41775  
unknow artist, The Baptism of Christ
  		 The Baptism of Christ   mk165 Saint Catherine Monastery Mount Sinai Egypt
64775  
unknow artist, The Baptism of Christ
  		 The Baptism of Christ   Oil on canvas Mus?e du Louvre, Paris , CORNELIS VAN HAARLEM , The Baptism of Christ , 1551-1600 , Dutch , painting , religious
71749  
unknow artist, The Bard,
  		 The Bard,   The Bard, 1774, by Welsh artist Thomas Jones. Oil on Canvas, now belonging to the National Museum of Wales in Cardiff
75101  
unknow artist, The barque Annie Burrill
  		 The barque Annie Burrill   Oil on canvas 45.7 X 63.5 cm (17.99 X 25 in) cjr
41827  
unknow artist, THe Battle Between the Novgorodians and the Suzdalians or the virgin of the sign
  		 THe Battle Between the Novgorodians and the Suzdalians or the virgin of the sign   mk165 Novgorod School The State Tretyakov Gallery Moscow
74277  
unknow artist, The battle of pharsala by Georgios Roilos
  		 The battle of pharsala by Georgios Roilos   Oil Painting , The battle of pharsala by Georgios Roilos (1867-1928) 1898(1898) cjr
73978  
unknow artist, The Battle of Saint Gotthard, bavarian oil-painting
  		 The Battle of Saint Gotthard, bavarian oil-painting   The Battle of Saint Gotthard, bavarian oil-painting 1665(1665) cjr
27502  
unknow artist, The Battle of the amazons
  		 The Battle of the amazons   mk56 oil on panel Follower of Adriaen van Stalbemt
98403  
unknow artist, The Battle of the Ticino
  		 The Battle of the Ticino   1550s Medium Distemper on sheets of paper mounted on canvas Dimensions Height: 385 cm (151.6 in). Width: 655 cm (257.9 in).
30197  
unknow artist, The Bayeux Tapestry
  		 The Bayeux Tapestry   nn05 after 1066 Propaganda on cloth
72295  
unknow artist, The Beach at Trouville
  		 The Beach at Trouville   "The Beach at Trouville," oil on panel, by the French artist Eugene Louis Boudin. 8 3/8 in. x 16 in. Yale University Art Gallery, Collection of Mr. and Mrs. Paul Mellon, B.A. 1929. Courtesy of Yale University, New Haven, Conn. cjr
78190  
unknow artist, The Belgian Refugee,
  		 The Belgian Refugee,   The Belgian Refugee, oil on canvas painting by Norah Neilson Gray Date 1915(1915) cjr
45695  
unknow artist, The belief
  		 The belief   mk186 around 1470 Florence, Uffizien
42822  
unknow artist, The Betrayal of Judas and the Arrest of Christ
  		 The Betrayal of Judas and the Arrest of Christ   mk170 circa 1325 Tempera on poplar 40.5x58.5cm
27431  
unknow artist, The Betrothal
  		 The Betrothal   mk56 oil on panel After Lucas van Leyden
27358  
unknow artist, The Betrothal of the virgin
  		 The Betrothal of the virgin   mk56 oil on canvas Franco-Flemish School,17th Century
64345  
unknow artist, the billet- doux
  		 the billet- doux   1808 leeuwarden, fries museum
34166  
unknow artist, The bird Simurgh carries the child Zal aloft into the mountains
  		 The bird Simurgh carries the child Zal aloft into the mountains   mk90 Illustration to Firdawsi\'s Book of Kings
39426  
unknow artist, The birth
  		 The birth   mk146 byzantinisches fresco church of Karamlik Kilise, Kappadozien, around 1175. in accordance with apokrypher delivery Maria in a cave releases under presence of two nurse one by the name of Salome)
39425  
unknow artist, The birth of the virgin
  		 The birth of the virgin   mk146 Italian Schule,15.Jh. Anna mounted washed becomes itself in bed during (in the foreground) the wrapped baby Maria by a nurse
42020  
unknow artist, The birth of the Virgin one
  		 The birth of the Virgin one   mk166 the middle of the 17th Century I Wave on cloth 168x119cm Museum of the Louvre, Paris
49288  
unknow artist, tHE Blockade Runner Ashore
  		 tHE Blockade Runner Ashore   mk195 1864 Watercolor 10x16
79261  
unknow artist, The Blue Head
  		 The Blue Head   The Blue Head, painting, oil on canvas, 49.5 x 39.4 cm, by Peter Purves Smith Date 1937(1937) cjr
72177  
unknow artist, The Boar Hunt
  		 The Boar Hunt   between 1525(1525) and 1530(1530) Oil on cradled panel 21 X 38.7 cm (8.27 X 15.24 in)
30337  
unknow artist, The Book of the Dead of Padiameet
  		 The Book of the Dead of Padiameet   mk68 C.1985-1650BCE Papyrus, London,British Museum
73230  
unknow artist, The Bourg-de-Batz Church under the Moon
  		 The Bourg-de-Batz Church under the Moon   Oil painting reproduction of Ferdinand du Puigaudeau. cjr
73962  
unknow artist, The Boy with the Bird
  		 The Boy with the Bird   Der Knabe mit dem Vogel cjr
75202  
unknow artist, The Bridge at Remich
  		 The Bridge at Remich   "The Bridge at Remich", oil painting by Luxembourg post-impressionist painter cyf
77500  
unknow artist, The burning of the English fleet off Chatham, 20 June 1667.
  		 The burning of the English fleet off Chatham, 20 June 1667.   ca. 1670(1670) (1667-1700) Oil on panel 73 ?? 108 cm (28.7 ?? 42.5 in) cjr
27415  
unknow artist, The Calling of peter,christ healing the blind man
  		 The Calling of peter,christ healing the blind man   mk56 a pair,both oil on copper
35382  
unknow artist, The Cape of Good Hope
  		 The Cape of Good Hope   mk102 c.1731-32 Oil on canvas 78.5x117.0cm
33034  
unknow artist, The Captive
  		 The Captive   nn08 Collection of the Cincinnati Art Museum
44720  
unknow artist, The Capture of Porto Bello
  		 The Capture of Porto Bello   mk175 21 November 1739 A drawing of this action was sent back by Capt.Durell
49574  
unknow artist, The Caroline envaldet Fellow XI and his family pa 1690- digits
  		 The Caroline envaldet Fellow XI and his family pa 1690- digits   mk201 King stout to blemish. in the double portrattet upon him had konstnaren millings his doda gemal
62884  
unknow artist, The Castle of Batavia
  		 The Castle of Batavia   Seen from Kali Besar West 1656 Oil on canvas, 108 x 151,5 cm Rijksmuseum, Amsterdam Dutch expansion overseas was in both directions, eastward and westwards. In particular, it was the establishment of the Dutch East India Company (VOC) in 1602 and the Dutch West India Company (WIC) in 1621, each with clearly demarcated areas of activity, that caused the number of Dutch overseas territories to increase rapidly. Some of the settlements in the western hemisphere were only briefly under Dutch administration: Northern Brazil (1624-1661) and New Holland, with the city of New Amsterdam ethe future New York eat the mouth of the Hudson river (1628-1664). On the other hand, the islands of Curacao, Aruba, Bonaire, St. Eustatius, Saba and St. Martin are still Dutch, while Surinam became independent in 1975. The Far Eastern territories were the most important, including settlements in India, Ceylon (now Sri Lanka), Malacca (now part of Malaysia), Formosa (now Taiwan), the Japanese island of Deshima and the Indonesian archipelago. It was here, in Batavia on the island of Java, that the VOC established its administrative headquarters, with a governor-general in charge from 1610 onwards. Trading contracts were signed and alliances concluded with local princes. In 1652, a staging post for VOC ships was established at the southern tip of Africa, known as the Cape of Good Hope. The arrival of settlers was to transform this into a fully-fledged Dutch colony. In the background of the paianting is the castle of Batavia, the bastion of Dutch rule in Asia. This was where the VOC's administrators lived. The governor-general is just arriving in town with his retinue. In the foreground is a market by the Kali Besar, or Great River. The Dutch built Batavia in 1619 on the site of Jakarta, which they had destroyed. Beeckman was commissioned by the voc to paint this peaceful scene on the spot. Artist: BEECKMAN, Andries Title: The Castle of Batavia, Seen from Kali Besar West , painting Date: 1651-1700 Dutch : landscape
37399  
unknow artist, The Cat
  		 The Cat   mk125
70654  
unknow artist, The Charter Oak
  		 The Charter Oak   1857 Wadsworth Athaneum oil on canvas 109.54 cm (43.12 in.), Width: 137.95 cm (54.31 in.)
72632  
unknow artist, The Charter Oak
  		 The Charter Oak   "The Charter Oak," oil on canvas, by American artist Charles De Wolf Brownell. Courtesy of the Wadsworth Atheneum, Hartford, Connecticut. cjr
77300  
unknow artist, The Children of Comte Louis Amedie de Barjerac
  		 The Children of Comte Louis Amedie de Barjerac   The Children of Comte Louis Amedie de Barjerac", oil on canvas painting by Franz (François) Fleischbein (c. 1801-1868), 1839 cjr
78390  
unknow artist, The children of the comte d'Artois
  		 The children of the comte d'Artois   1781(1781) Oil on canvas 80 x 100 cm (31.5 x 39.4 in) cjr
27517  
unknow artist, The Christ child appearing to saint anthony of padua
  		 The Christ child appearing to saint anthony of padua   mk56 oil on canvas After Bartolome Esteban Murillo
41887  
unknow artist, The Christ in the Royal Crown
  		 The Christ in the Royal Crown   mk165
50608  
unknow artist, The Church break down
  		 The Church break down   mk213 Oil on canvas
43467  
unknow artist, The Church of San Francisco
  		 The Church of San Francisco   mk172 Javier contains a lateral altarpiece dedicated to the founders of religious orders
44848  
unknow artist, The Colosseum
  		 The Colosseum   mk176 Concrete Romer
45705  
unknow artist, The composure
  		 The composure   mk186 around 1470 Florence, Uffizien
78237  
unknow artist, The Comtesse de Selve.
  		 The Comtesse de Selve.   1787(1787) cjr
75005  
unknow artist, The Concert
  		 The Concert   The Concert 1624 Oil on canvas, 168 cm x 178 cm cjr
52607  
unknow artist, The Congregation of the Archangels
  		 The Congregation of the Archangels   Tempera on panel Vatopediou Monastery
74069  
unknow artist, The connoisseurs
  		 The connoisseurs   "The connoisseurs", oil painting on panel by Theodore Gerard (1829-1895); private collection cjr
33055  
unknow artist, The convalescent
  		 The convalescent   nn08 1890
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unknow artist



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